Berdamai dari Bawah* (oleh: Linda Christanty)
Kehidupan perempuan Aceh pascaperdamaian dan sejarah berdirinya Museum HAM (Hak Asasi Manusia) pertama di Asia Tenggara.
The Last Party (by Linda Christanty)
The afternoon wind was sharp and arid. The air in the park was dusty. The shallow pond resembling buffalo wallow gave off rancid smell of mud. Wilted and rotten lotus leaves drifted on the brown murky surface. In the corner of the pool, a fat woman statue holding a jar had been blanketed with dust.
Continental Club (oleh: Linda Christanty)
Menikmati musik dan sejarah di kota-kota selatan Amerika Serikat.
Kakek Saya, Opa Manusama dan Opa Willem (oleh: Linda Christanty)
Kisah orang-orang dalam perjuangan kemerdekaan Indonesia dan pascaproklamasi.
Retno Marsudi: Bekerja dengan Hati (oleh: Linda Christanty)
Sebelum menjabat Menteri Luar Negeri dalam Kabinet Kerja Presiden Joko Widodo, ia adalah Duta Besar Indonesia untuk Kerajaan Belanda. Pers Belanda menjulukinya 'perempuan kecil bernyali besar'.
Wiji Thukul dan Orang Hilang (oleh: Linda Christanty)
Untuk mengenang para sahabat dan kawan yang diculik menjelang akhir kekuasaan pemerintah Suharto. untuk mengenang mereka yang belum kembali.
Love, Death and Ignorance (by Subhatra Bhumiprabhas)*
Indonesian SEA Write winner Linda Christanty channelled her activist views on war, politics and friendship into short stories.
Soldiers, Dogs and Other Stories (by Wisnu T. Hanggoro)*
LINDA CHRISTANTY'S short stories talk about the problems often caused by pressure of war, gender inequality, cultural gaps and even love.
Linda Christanty is an author and journalist. Her writing has been recognized by various awards including the national literary award in Indonesia (Khatulistiwa Literary Award 2004 and 2010), award from the Language Center of the Ministry of National Education (2010 and 2013), and The Best Short Stories version by Kompas daily (1989). Her essay "Militarism and Violence in East Timor" won a Human Rights Award for Best Essay in 1998. She has also written script for plays on conflict, disaster and peace transformation in Aceh. It was performed in the World P.E.N Forum (P.E.N Japan and P.E.N International Forum) in Tokyo, Japan (2008). She received the Southeast Asian writers award, S.E.A Write Award, in 2013.
